Two characteristics we can find in these peoms are the love of nature and internal reflection. Wordsworth considers XXXXXX XX be a XXXXXXXXXX XX XXXXXXX, and claims in "XXXXXXX XXXXX" XXXX "XXXXXX XXXXX XXXXXXXX the heart that cherished her". In XXXXX of the fact that in "The XXXXX XX Too Much with Us" he XXXXX more uncertain XX correspondence XXXX regards XX nature, it XXX one of his core values; even in XXXX poem he yearns XX XX an agnostic, so XX to all the more XXXXXX love nature. Then XXXXX, "I Wandered XXXXXX XX a Cloud" XXXXX Wordsworth peering XXXXXX himself so XX XX XXXXXXXX XXXXXXX in the XXXXXXXX of XXXXXX, XXXX XXXX he XXXX in "Tintern Abbey"; this XXXXXXXX XXXXX XXXX was a fundamental XXXXXXXXX XX XXXXXXXX XXXXXX.
In XXX peom "XXXXXXXXXX" by Percy Bysshe Shelley, how are the XXXXX XX the pedestal of Ozymandias's statue ironic?
According to XX perspective XXX XXXXX are ironic XX XXX XXXXX of affairs is in XXXXXXXXXX to what one XXXXXXXXXXX from XXXXXXXXXXXXX them – there XX XXXXXXX XX Ozymandis' strength, XXXXXX lone and XXXXX XXXXX that starch XXX XXXX. XXX words on XXX XXXXXXXX of the XXXXXXXXX’ statue in XXXXX XXXXXX Shelley’s XXXX “XXXXXXXXX” XXX:
“My name XX Ozymandias, King XX Kings;
XXXX XX my XXXXX, XX XXXXXX, XXX despair!” XX clarify XXX XXXXX XX XXX XXXXX on XXX XXXXXXXX od XXXXXXXXX' statue, the XXXX XXXXXXXXXX (XXX) is XXXX it speaks to the "situation or an XXXXXXXX that XXXXXXX XX be XXXXXXXXXXXXX in opposition XX XXXX XXX expects and is XXXXXXXXX XXXXX entertaining subsequently." The XXXXX of the words on XXX XXXXXXXX is XXXXXXXX by XXXXX XXXX follow:
“XXXXXXX beside XXXXXXX. Round the XXXXX
XX XXXX colossal XXXXX, XXXXXXXXX and bare
XXX XXXX XXX XXXXX XXXXX stretch XXX away.”
XXXXX XXXXX speak to that situation is in opposition XX XXXX one expects – there is nothing of XXXXXXXXX' XXXXXXXX, XXXXXX XXXXXXXX XXX level sands that XXXXXX XXX away. XXXXXX XXXXXXXX XXXXXXXXXXX XX underscore XXX lord's XXXX-XXXXXXXX XX XXXXXXXXXXXX and XX show XXXXX unavoidable decrease.